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- <text id=93TT2307>
- <title>
- Jan. 18, 1993: Reviews:Short Takes
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Jan. 18, 1993 Fighting Back: Spouse Abuse
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 65
- Short Takes
- </hdr>
- <body>
- <p>TELEVISION
- </p>
- <p> Return to Lynchville
- </p>
- <p> Has TV domesticated David Lynch? It was looking bad for a
- while. After giving the medium a jolt with Twin Peaks, he let
- the series run too long on circuit overload. His next show, On
- the Air, was a heavy-handed TV satire just slightly to the left
- of WKRP in Cincinnati. But the old, weird Lynch is back in HOTEL
- ROOM, an HBO trilogy of stories, two of them directed by Lynch
- from scripts by Barry Gifford. A hooker (Glenne Headly) is
- caught in a psychological sparring match between a seedy
- customer and his mysterious friend; a husband (Crispin Glover)
- tries to rescue his bereaved wife from madness during a power
- blackout. The dialogue has the evocative spareness of Pinter,
- and Lynch's control of mood--menacing, mesmerizing--has
- never been more sure.
- </p>
- <p> CINEMA
- </p>
- <p> Fight to the Finnish
- </p>
- <p> Finland's most distinguished writer-director is named Aki
- Kaurismaki. That statement is true and probably funny--like
- his THE MATCH FACTORY GIRL, a comedy so dark that some viewers
- take it for tragedy. This sly parable starts with a brisk
- documentary on the transformation of a stick of wood in a box
- of matches, then spends the rest of its 70 minutes on the
- transformation of Iris (Kati Outinen), the stolid young woman
- on the assembly line, into a keg of emotional dynamite.
- Kaurismaki's almost-silent movie features a cast of rats--mother, stepfather, brutal beau--for whom rat poison may be
- the best antidote. And for U.S. viewers, Match Factory is a
- splendid introduction to a world-class (no joke) filmmaker, with
- a wit as dry as kindling.
- </p>
- <p> BOOKS
- </p>
- <p> Great Speculations
- </p>
- <p> What would happen if you could ride on a light beam?
- Albert Einstein posed himself that playful question; his answer
- was the special theory of relativity, which utterly changed how
- scientists see time and space. Writers have tried to explain
- relativity ever since, but Alan Lightman, who teaches physics
- and writing at M.I.T., has an entirely new approach. EINSTEIN'S
- DREAMS (Pantheon, $17) is a novel, an impressionistic look at
- thoughts the great physicist might have had while concocting his
- theory. We are privy to musings about worlds where time runs
- backward or branches into diverging streams. The writing,
- beautifully simple, conveys better than most texts the
- strangeness of Einstein's ideas.
- </p>
- <p> MUSIC
- </p>
- <p> Passion Play In Three Acts
- </p>
- <p> Extreme has found a larger following beyond the MTV set
- with acoustic rhythms and four-part harmonies that downplayed
- its heavy-metal heritage. Now that fans are hooked, though, the
- group is upping the dosage of metallica. Its latest album, III
- Sides to Every Story (A&M), not only reminds listeners that
- guitarist Nuno Bettencourt is a mean riffer but also harks back
- to the roots of rock opera, taking on epic proportions in the
- process. Divided into three acts, the album is full of social
- commentary denouncing war in cynical, hard-cutting tracks. One
- standout: the haunting Rest in Peace, which knocks flower-child
- cliches such as "Give peace a chance" and "Make love not war" as
- hypocritical euphemisms.
- </p>
- <p> MUSIC
- </p>
- <p> Female Fare
- </p>
- <p> Politically, 1992 may have been The Year of the Woman, but
- musically we're still in the era of the Dead White Male. Which
- is why the Bay Area-based WOMEN'S PHILHARMONIC, an all-female
- ensemble conducted by Jo Ann Falletta, is important in our
- collective consciousness-raising. On an eponymous new CD (Koch
- Classics), the group unearths a splendid Overture by Fanny
- Mendelssohn Hensel (Felix's sister). But the real pleasures are
- in the Concertino for Harp and Orchestra by Germaine
- Tailleferre, perhaps the least known of Les Six, and in two
- pieces by Lili Boulanger, Nadia's sister. Boulanger's D'un Soir
- Triste, 12 minutes of heartbreaking pathos, ought to be in every
- man's repertoire.
- </p>
-
-
- </body>
- </article>
- </text>
-
-